Maneuvering Mixedness: Interpreting Dougla in the Caribbean Diaspora

The Dougla experience in Caribbean spaces and the diaspora provides an epistemology of mixedness, particularly as situated within an Indian/ African binary. Prof. Aleah N. Ranjitsingh centers maneuvering as a descriptive and explanatory tool that summarizes how Douglas contemplate their experience of mixedness outside of Caribbean homeland spaces—maneuvering defaults (Blackness), maneuvering ambiguity, and maneuvering privilege.

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Where CHamoru Identity Continues: The Decolonial Poetics of the CHamoru Diaspora in California

Prof. Francisco Delgado’s current project examines how Chamorro poets reimagine the landscape of California as an extension of their home island. In particular, through a careful reading of works by Chamorro poets like Clarissa Mendiola and Lehua Taitano, both of whom are currently based out of California, he argues that the nature of Chamorro identity and community is as fluid and vast as the Pacific Ocean itself.

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Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora

Co-produced by Theodore S. Gonzalves and Mary Talusan Lacanlale, Kulintang Kultura, from Smithsonian Folkways Recordings, pays homage to the late Danongan “Danny” Kalanduyan, a talented musician and generous teacher who championed traditional Filipino kulintang gong music in the United States, helping to keep the memory and practice alive.

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