Asian American / Asian Research Institute
The City University of New York
Leekyung Kang, an inaugural artist-in-residence at the Queens College School of Arts (Fall 2024), will present on her recent work is inspired by Buddhist cosmology’s cyclical nature, creating a series of paintings, print, and installation that interrogate the formal aspects of what is architecturally defined as a form of chamber.
Economic and structural inequality, racial scapegoating, and anti-Asian xenophobia all played a role in violence against Asian Americans, then, and continue unabated to today in 2021. Against the backdrop of the continuing global Covid-19 crisis and anti-Asian violence and hate in the United States, we present to you the reader some signals of hope and reclamation on the local and national level: Asian Americans recognizing and reclaiming their place in the larger civil society despite immense institutional and ideological barriers.
The Scholarship awards $1,000 to an individual qualified undergraduate student that is currently enrolled at any of the twenty-one colleges within CUNY, Asian or non-Asian, who has demonstrated creativity in the communication of the concerns of the Asian American community in areas such as health, education, culture, media or advocacy/activism.
Are you interested in enrolling in the SUNY/CUNY SEAC’s spring-semester course, Southeast Asian identities in popular culture and literature? The course is open to all students in CUNY and SUNY (grad and undergrad, regardless of discipline)! Your co-professors will be EK Tan (Stony Brook University), Martina Nguyen (Baruch College/CUNY), and Lauren Meeker (SUNY New Paltz).
Asian Americans are the fastest growing group in the United States and include approximately 50 distinct ethnic groups, but their stories and experiences have often been sidelined or stereotyped. Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects offers a vital window into the triumphs and tragedies, strength and ingenuity, and traditions and cultural identities of these communities.
The entry of Cambodians in the United States was not simply a migration, but a crash-landing as refugees after an incredible loss of population, humanity, culture & arts, religion, and thinkers. How, then, do the diasporic inheritors of this history respond via cultural production? And how does artist-scholar Sokunthary Svay’s own work including her newly published memoir, Put It On Record, address this question?