Collisions of the Diasporic: Cambodian Cultural Production in the United States

The entry of Cambodians in the United States was not simply a migration, but a crash-landing as refugees after an incredible loss of population, humanity, cultural & arts, religion, and thinkers. How, then, do the diasporic inheritors of this history respond via cultural production? And how does artist-scholar Sokunthary Svay’s own work including her newly published memoir, Put It On Record, address this question?