Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Always Active
Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.

No cookies to display.

Other uncategorized cookies are those that are being analyzed and have not been classified into a category as yet.

No cookies to display.

Collisions of the Diasporic: Cambodian Cultural Production in the United States

Friday, November 3, 2023 | 11am to 12pm

Online Talk: RSVP

Note: Discussion limited to CUNY faculty, staff and students.

The entry of Cambodians in the United States was not simply a migration, but a crash-landing as refugees after an incredible loss of population, humanity, culture & arts, religion, and thinkers. How, then, do the diasporic inheritors of this history respond via cultural production? And how does artist-scholar Sokunthary Svay’s own work including her newly published memoir, Put It On Record, address this question?

Purchase Book: https://aquariuspress.myshopify.com/products/put-it-on-record-by-sokuthary-svay

Asian American / Asian Studies across CUNY Brown Bag Series

Author Bio

Sokunthary Svay was born in a refugee camp in Thailand shortly after her parents fled Cambodia after the fall of the Khmer Rouge regime. They were sponsored to come to the United States and resettled in the Bronx where she grew up. A founding member of the Cambodian American Literary Arts Association (CALAA), she has received fellowships from the American Opera Project, Poets House, Willow Books, and City University of New York, as well as commissions from Washington National Opera, the Asian American Writers’ Workshop, the Chautauqua Institution, and ISSUE Project Room. In addition to publishing a poetry collection, Apsara in New York (Willow Books, 2017), Svay has had her writing anthologized and performed by actors and singers. Svay’s first opera, Woman of Letters, set by composer Liliya Ugay, received its world premiere at the Kennedy Center in January 2020 as part of the American Opera Initiative. A recent recipient of the OPERA America IDEA grant, her second opera with Ugay, Chhlong Tonle, received its premiere in March 2022. She is a Ph.D. candidate in English at the CUNY Graduate Center and a Lecturer at City College of New York.