Collisions of the Diasporic: Cambodian Cultural Production in the United States

Friday, November 3, 2023 | 11am to 12pm

Online Talk: RSVP

Note: Discussion limited to CUNY faculty, staff and students.

The entry of Cambodians in the United States was not simply a migration, but a crash-landing as refugees after an incredible loss of population, humanity, culture & arts, religion, and thinkers. How, then, do the diasporic inheritors of this history respond via cultural production? And how does artist-scholar Sokunthary Svay’s own work including her newly published memoir, Put It On Record, address this question?

Purchase Book: https://aquariuspress.myshopify.com/products/put-it-on-record-by-sokuthary-svay

Asian American / Asian Studies across CUNY Brown Bag Series

Author Bio

Sokunthary Svay was born in a refugee camp in Thailand shortly after her parents fled Cambodia after the fall of the Khmer Rouge regime. They were sponsored to come to the United States and resettled in the Bronx where she grew up. A founding member of the Cambodian American Literary Arts Association (CALAA), she has received fellowships from the American Opera Project, Poets House, Willow Books, and City University of New York, as well as commissions from Washington National Opera, the Asian American Writers’ Workshop, the Chautauqua Institution, and ISSUE Project Room. In addition to publishing a poetry collection, Apsara in New York (Willow Books, 2017), Svay has had her writing anthologized and performed by actors and singers. Svay’s first opera, Woman of Letters, set by composer Liliya Ugay, received its world premiere at the Kennedy Center in January 2020 as part of the American Opera Initiative. A recent recipient of the OPERA America IDEA grant, her second opera with Ugay, Chhlong Tonle, received its premiere in March 2022. She is a Ph.D. candidate in English at the CUNY Graduate Center and a Lecturer at City College of New York.