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COMFORT WOMEN WANTED

Chang-Jin Lee’s video artwork, COMFORT WOMEN WANTED, brings to light the memory of 200,000 young women, referred to as “comfort women,” who were systematically exploited as sex slaves in Asia during World War II, and increases awareness of sexual violence against women during wartime. The video is based on interviews with Korean, Chinese, Taiwanese, Indonesian, Filipino, and Dutch “comfort women” survivors and a former Japanese soldier from W.W.II.

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The title, COMFORT WOMEN WANTED, is a reference to the actual text of advertisements which appeared in Asia newspapers during the war. When advertising failed, young women from Korea, China, Taiwan, Indonesia, the Philippines, Thailand, Vietnam, Malaysia, and the Netherlands were kidnapped or deceived and forced into sexual slavery. Most were teenagers, some as young as 12 years old, and were raped by as many as fifty soldiers a day at military rape camps, known as “comfort stations.” By some estimates only 30% survived the ordeal. The “Comfort Women System” is considered the largest case of human trafficking in the 20th century.

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Historian Suzanne O’Brien has written that “the privileging of written documents works to exclude from history…the voices of the kind of people comfort women represent – the female, the impoverished, the colonized, the illiterate, and the racially and ethnically oppressed. These people have left few written records of their experiences, and therefore are denied a place in history.” COMFORT WOMEN WANTED attempts to bring to light this instance of organized violence against women, and to create a constructive dialogue for the future by acknowledging their place in history.

URL: www.changjinlee.net

Author Bio

Chang-Jin Lee is a Korean-born visual artist and lives in New York City. Her multicultural background and experiences have provoked in her an interest in investigating the diverse cultural and social issues in our current era. In her artworks, she deals with identity, gender, globalism, nationalism, human trafficking, and religion.

She has exhibited extensively including at The Queens Museum of Art (New York), The World Financial Center Winter Garden (New York), The Lower Manhattan Cultural Council (New York), Socrates Sculpture Park (New York), The Franconia Sculpture Park (MN), The Asian American Arts Centre (New York), The Chinese American Arts Council (New York), Van Brunt Gallery (New York), Elizabeth Heskin Gallery (New York), The Peekskill Project (New York), The Bronx River Art Center (New York), Spaces Gallery (OH), The Incheon Women Artists’ Biennale (Korea), Bo Pi Liao Contemporary (Taiwan), and 1a Space (Hong Kong).

She is a recipient of numerous awards including The New York State Council on the Arts Grant, The Asian Cultural Council Fellowship, The Lower Manhattan Cultural Council Grant, The Franconia Sculpture Park Jerome Fellowship, The Asian Women Giving Circle Award, The New York Foundation for the Arts Fiscal Sponsorship Award, The World Financial Center Sponsorship, The Puffin Foundation Grant, The Lower Manhattan Cultural Council - Creative Capital Professional Development Workshop, The Busan Sea Art Festival Award, and The Lower Manhattan Cultural Council's Manhattan Community Arts Fund.