The Halalitization of Asian American Studies?

09-02-27 Saed 007

What does it mean to be a hyphenated Muslim in a post-9/11 world? How do Muslim artists, writers and filmmakers address these issues of identity, assimilation, and recreation in homes they have made outside of what has been called the “Muslim World”? What was earlier Muslim Diaspora cultural production dealing with before 9/11 put them in the spotlight? How do you teach this within the scope of Asian American Studies courses?

These are some of the questions that this talk hopes to answer on teaching and appreciating Muslim Asian American film, literature and video art, by individuals such as Lena Khan. With the world used to seeing angry and serious Muslims — this talk is about how artists are using comedy and quirky images to break these stereotypes and to show that Muslim Americans are part of the American fabric.

Video Not Available at Request of Speaker

Author Bio

Zohra Saed is the co-editor of One Story, Thirty Stories: An Anthology of Contemporary Afghan American Literature (University of Arkansas Press) and editor of Langston Hughes: Poems, Photos and Notebook from Turkestan (Lost & Found, The CUNY Poetics Documents Initiative). Her poetry chapbook Misspelled Cities/Falsch Geschrieben with Sahar Muradi was published for dOCUMENTA 13 Notebook Series in English/German. Her essays on the Central Asian diaspora and their food history have appeared in Eat Asian America (NYU Press) and The Asian American Literary Review.