Thirty Years of Asia America: Images by Corky Lee

For thirty years, Corky Lee has used his camera to ensure that the faces of Asian Pacific Americans and their experiences be included in American history. His mission has been to document the incredibly diverse Asian American communities ignored by mainstream media. In an interview in AsianWeek Corky commented: “I’d like to think that every time I take my camera out of my bag, it’s like drawing a sword to combat indifference, injustice and discrimination, trying to get rid of stereotypes.”

His work, which has been described as “only a small attempt to rectify omissions in our history text books,” has appeared in Time magazine, The New York Times, The Village Voice, Associated Press, The Villager, and Downtown Express, as well as exhibitions throughout the United States, including Boston, San Francisco, Honolulu, and Denver. On college campuses, his photographs have been exhibited at Cornell, Columbia, Harvard, Princeton, and John Jay College of Criminal Justice in New York City. Corky contends that he owes much of his success to the Asian American press, notably A Magazine, Filipinas Magazine, and KoreAm Journal in addition to the following newspapers: AsianWeek, Asian New Yorker, NY Nichibei, Rafu Shimpo, International Examiner, and Hawaii Herald.

Author Bio

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Corky Lee, self-taught photographer, has been documenting the vibrant and fast-emerging Asian and Pacific American community for over 30 years. Known as the "undisputed unofficial Asian American Photographer Laureate," the ubiquitous Corky has covered the day to day lives of Asian Pacific Americans as well as historical moments in American history.

Mr. Lee was set on his photojournalistic course in junior high school by a famous photograph taken at Promontory Point, Utah, in 1869. The picture commemorated the completion of the transcontinental railroad and showed workers posing with two trains, one from the Central Pacific and one from the Union Pacific. But something was wrong with this picture. No Chinese workers. Since Mr. Lee first laid eyes on that photograph, he has devoted himself to making Asian Pacific Americans visible.